
I’ve been a huge fan of Tony Kushner’s two-part tour de force, "Angels in America." In fact, I’ve read his script and have seen the play so many times I can nearly recite several of the key scenes (like when Belize and Louis have their "true love is never ambivalent" discussion at the café) verbatim.
Kushner’s words continue to resonate with me--and the complexities of the characters and relationships explored in this masterwork have served as almost as a roadmap into my inner psyche.
So when the Boston Theatre Works announced that they were presenting "Millenium Approaches" and "Perestroika" at the Boston Center for the Arts, I had similar reservations when I heard that Mike Nichols planned to film the series for HBO.
I loved Nichols’ small-screen adaptation. And, after seeing the Boston production "Millenium Approaches" last night, I was equally pleased.
Co-directors Jason Southerland and Nancy Curran Willis, who successfully collaborated on "The Laramie Project," did an amazing job capturing the fragility of the human condition and the complexity of degenerating relationships during the early days of the AIDS crisis and the Reagan administration.
Because of the smaller space, the Boston Theatre Works’ production is eerily more intimate than the original production that hit Broadway like a bolt of lightning in 1993. When Harper and Joe have their awkward "Hey Buddy" interactions and Louis and Prior speak from the deepest recesses of their souls, it’s as if we’re experiencing the moment with them.
Also, contrary to my initial reservations, the production doesn’t water down the more salacious scenes to placate Boston’s Puritanical roots like when Louis is cruising in Central Park’s The Rambles or Prior drops his pants to reveal his body covered in purple Kaposi’s sarcoma.
Standout performances include new kid on the block, Tyler Reilly, as Prior Walter and recent NYU grad Bree Elrod as Harper Pitt. Also, Maurice Parent does a stellar job as Prior’s drag queen cohort, Belize.
Both Sean Hopkins (as Joe Pitt) and Christopher Webb (as Louis Ironson) improved--as if they accidentally stumbled into character as they were peeling off the layers of complexity enveloping their roles--as "Millenium Approaches" progressed.
Susanne Nitter, a small-screen ("ER") and stage veteran, shines as Joe's Mormon mother, Hannah, and does a convincing job as Roy Cohn’s deceased nemesis, Ethel Rosenberg.
Co-director Southerland handled the Louis/Prior and Harper/Joe relationships with heartbreakingly masterful insight while Willis’ directorial work with Richard McElvain’s Cohn (his explosive, shot-gun tirades lack a rhythmic cadence) and specifically with Nitter’s portrayal of Rabbi Chemelwitz needs some work.
However, it's Kushner's prophetic and sublime words that pierce the heart and--if delivered with the reverence they deserve--can move you to tears.
This is one of those rare, must-see performances that has just as much resonance today thanks to the Bush administration, the recent spate of drug-resistant staph infections (MRSA) and the current political cycle as it did when it was first unleashed in the early ‘90s.
Angels in America: "Millennium Approaches" and "Perestroika" play in repertory, Jan. 18-Feb. 10, at The Boston Center for the Arts, 539 Tremont St., Boston. Tickets $25-$48. Info: www.bostontheatrescene.com or 617.933.8600.